Showing posts with label courtyard building. Show all posts
Showing posts with label courtyard building. Show all posts

Monday, October 17, 2011

Les piscines de Parc Rogers


Yes, the pools of Rogers Park, as seen on tours during Open House Chicago. I was able to visit three pools in the gems of Rogers Park. Casa Bonita, Park Castle and Park Gables (three of my favorite big courtyard buildings). Casa Bonita's pool (below) is lovely, but plainer than the other two, though the access to it is rather grander and features an observers balcony (now a corridor).


Park Gables has a much grander pool, but the "entry" spaces to it are just "regular nicer than average Chicago basement" (it should be said that Park Gables appears to be well maintained).


Park Gables really resembles a 1920's film set, with ornate tile work, terra cotta columns and "tented" or awning ceiling. However, the most impressive of the group, the piece de resistance if you will, is Park Castle, which resembles San Simeon.



It sports an L shaped pool, elaborate mosiacs and a lit fountain! Note the potted plants, forming a ceramic topiary border around the pool.

Sunday, November 9, 2008

Farwell Corridor

This posting is about the Farwell Corridor, as I term it (which also includes Morse, but that's neither here nor there), in West Rogers Park (or West Ridge, if you really, really prefer). This short stretch features a treasure trove of high class apartments (as well as some newer, somewhat interesting higher density housing) from Tudor to Art Deco and between.
It features everything from two and three flats to...
Courtyard buildings.
With Tudor-Gothick facades.
It features from truly grand de Luxe three-flats with impressive facades.
Which feature elegant facades with generous sizes, which must have large sized rooms.
As well as some truly massive six-flats.
With incredibly rich and varied facades.
From Neo-Classical to Tudor/Gothick to nearly Art Deco.
To imposingly massive...
I suspect that some of this development was due to proximity to good transport, both streetcar (along Western Avenue) and heavy rail (currently, today's Metra), as well as a combination of zoning and speculation. These really are good examples of some of the best of Chicago's residential architecture of the era, and even of American residential design of the era. There was also the convenience of proximity to a large park nearby.

Saturday, November 1, 2008

The Courtyard Building, Part VIII; Courtyard Variations - Gothick Courtyards

You may have noticed some discontinuity in my postings on this subject. I have several in process and underway (i.e. heavy editing) which I mean to get finished up soon, once the leaves are off the tree's so I can take some better photographs, but in the meanwhile to both tide you over and whet your appetites, I offer; Gothick Courtyards.

Gothick is a typical style of 1920's and 30's to some extent, fantasy architecture - the architecture of escapism. It isn't quite as common in Chicago as in some other cities, and is certainly not as common in single-family residential construction, that being dominated by the bungalow which is omnipresent (though gothick can be found here as well).
In fact, there are some similarities to our own time here, as these were built at the end of a long era of massive housing construction - one wonders whether the current crop of residential building will be looked back on as fondly or so longingly? One guesses not. But you never know. It will be interesting to see if our new crop of buildings loose value as much as many did during the depression and after the war (WWII), but that is really subject of another post entirely, a completely new topic.

Here are some samples of Gothick Courtyard buildings from the north and northwest sides. This example, our first building, comes from West Rogers Park new the infamous duo, Park Gables and Park Castle, which represent the ne ultra plus of Far North Side courtyard buildings, however, this fine example, from just a block further north, sports some wonderful medieval details, stunning metal windows (with odd round arches oddly enough) and round turrets, which are well castelated. As well as half-timberings, rustication in stone, random stone in the brickwork and many other fine details.

However, when one turns the corner, this is what one gets, Chicago common brick and wood double-hung windows, just like any other (every other, one could say) courtyard building in Chicago. Luckily there is no building to the side which enables us to see this deception (or unfortunately, if one wishes to maintain the fantasy, as one certainly would).

Our next example comes from the Northwest side, and has been called Bavarian and described as a castle, like many other buildings from this era. This one has much in common with our first example, however it is in a more typical yellow butter colored brick, but has more emphasis on pointed arches and little Tyrolean sheltering roofs over the entry doors, as well as full on Germano-Medieval Gothick decor in the common entrance halls, yet again with the 1920's conceit of round arched openings in both doors and windows. Note the immense false fire place present in the entry hall.

With research, one might be able to identify whether or not this feature is authentically Germanic or at least German inspired (not a stretch, with Chicago's German heritage). There is also a quatrefoil motif both inside and out here as well, as can be seen in the bathroom shot - look closely at the tiled tub fronting and the flooring pattern of the tiles.



















Monday, September 22, 2008

The Courtyard Building, Part VI; Courtyard Variations

There are some variants to the standard courtyard building, which, while not rare, are not common, such as the half courtyard. On the other hand, there are some truly rare forms, such as the, as I call it, reverse courtyard - an almost phallic shaped building centered on the lot with an entry courtyard on either side - as if two half courtyard buildings were joined, fused back to back. This has several subforms, I believe one could argue, but I am only going to address one which follows typical courtyard fashion in decor and entrances, as well as the landscaped side entry courtyards. At the bottom plans will show these two variations. Actually, this post will only deal with the half courtyard variation, as I am finding it is too lengthy of a topic to combine postings such as these.

The half courtyard is found throughout the city, where ever lot sizes didn't allow for a full courtyard, or other reason. They are even sometimes built contigiously with another one to form a courtyard from separate buildings (especially in the two-story variant[s]. They can vary from a typical sized half building (50 foot lot, maybe even smaller sometimes) to fairly large, and even grand buildings, with grandly architectural pretensions. At the bottom of this first section is a plan of the typical half-courtyard building.




Our first example is a modest side street red brick example of a half-courtyard. It, rather unusually, has a front bay window, due to the residential nature of the street, with fairly large set-backs and deep parkway. It has the typical front living room and dining room unit of the average courtyard, and in this case, half-courtyard.

The second example is also a fairly typical side street building, albeit a 20's building of butter yellow brick with neo-classical commercial detailing, typical of the period, along with some moorish, medieval and other hollywood inspired fanciful decoration of limestone.


Our next building is also a side street building of butter yellow brick, but this time with full on art deco detailing, if in a rather classical manner. Which of course, is the origin of much 1920's design, despite it's modernity.

The last of these side-street buildings is more of a blond brick, but similarly toned, with a somewhat wider lot. This one sporting more chaste decor and many bays along the side of the court. I see that there is a chimney at the side. One suspects that there are lovely wood-burning fireplaces withing. I suspect that there are none, at most a decorative mantel at most.

This next example is a bit grander, and certainly much more architectonically oriented. It is entered through a charming entryway with gas light of wrought iron, sports neo-colonial balconies, small, precise windows precisely located with simple, chase cornices. There is a certain precision to the detail, which is all very rigid, almost mannered, which is rare in Chicago, to find something this manneristic, however, it's being in the Golden Rectangle of Hyde Park should explain that. Being in Hyde Park, of this era, there was often a higher architectural quality achieved than elsewhere in the city (often, in fact, the south side exceeds the north, particularly the lakefronts - the lakefront areas which are now au courant - architectually in this era).

Here is another view, showing the ivy covered walls enclosing the courtyard and one of the faux gas lights, the sign of 70's and 80's condominium conversions in many buildings across the city, later banned by Peoples Gas (many of them were done* without permission or permits)

*Installed, I mean to say.


Our last example hails from the North Lakefront, Rogers Park to be exact, which is a more typically Chicago building. It has a typical vocabulary for Chicago residential architecture; sunrooms, gables, buff brick and limestone trim. All somewhere in or at the intersection of Prarie Style, Jungendstil and Craftsman aesthetics.




Here we have the plan of a typical half courtyard building. The units are simple, modestly sized, if not small, with the largest unit, as is typical, at the front facing the street, similarly laid out and sized middle units and a "special" or differently planned apartment at the back, facing the rear of the courtyard and the alley.

Thursday, August 28, 2008

The Courtyard Building, Part V - Courtyards de Luxe


This post is dedicated to the ultra large courtyard building, which I am giving the terminology of Courtyard de Luxe (or perhaps a taxonomy of Courtyard Giganticus) of which there are several well known and lesser known examples throughout Chicago.


The first of these is the legendary or near notorious Tudorbethan Park Gables of Indian Boundary Park, which is one of the very finest examples of both the style and of a large courtyard, in this case a double-courtyard in fact. In many cases, unusually, the exterior decor here carries into the interior, carrying the theme of gothicism inside with vaulted ceilings and beamed rooms.
And I'm not even mentioning it's neighbor, the Park Tudor, which has more of a castellated, gothick feel than Park Gables.


The next example in this post is The Sterling Apartments, probably less well known, in fact, as much as unknown I would say. This one is of the single-courtyard type, but with multiple entries along the front and sides, as well as off of the side courtyard and it runs from side street to side street, for an entire block front. As you can see from only half of the floor plan it is a large building with a variety of accomodation types, from studios to two-bedroomed suites.



Some other examples of these large types can be found in Kenwood, South Shore, Beverly and other areas (such as Uptown-Buena Park, in the Pattington) which were upper middle class.

Tuesday, August 26, 2008

The Courtyard Building, Part IV


After covering the basics with the courtyard building, we're now moving on to the courtyard itself. The best of these buildings were built on wider than average (or multiple) lots, which enable the courtyards to be exceptionally wide (Park Gables in Rogers Park for instance). One disadvantage to the design of these buildings is the "back side" of the buildings, with the service entrances, back stairs & etc. When they were built, deliveries were common, classism was much greater and there were servants and more stay at home householders to take receipt of deliveries and keep the back entries necessary.

But this is mere digression, since we were (well, are) discussing the courtyard themselves. The best of these are lushly and elegantly landscaped, and by this time have mature plantings, perhaps maintained lovingly by tenants or landlords.


Our first example is a nicely maintained, but rather plan example - the shot was taken in spring. Part of the reason for it's not having heavy landscaping is the width, which is quite narrow, as well as it's north-facing orientation, which prevents sunlight from fostering many plants.

In our next example, the courtyard is simply landscaped, but comes across as both warmer and lusher; two factors enhance this - the south facing building gets more light then the first example, while the lower building height allows more light from the east and west in (the first building has an English basement, while this one has a conventional first floor and partial height, if you will, basement).

The next example has landscaping which nearly conceals the entire building from view - while it makes the building less visible, it does provide shade and helps to keep the apartments cool. In fact, sometimes the landscaping and trees make summertime photography impossible. I will have to make some winter time treks to photographically document many buildings after my summer time reconnaissance missions.

The last example has a rather nice balance of landscaping - ground cover, tree's, etc in a fairly wide and sunny (west facing) courtyard. The lawns and plantings are all well tending and lovingly designed to compliment the building.

Wednesday, August 20, 2008

The Courtyard Building, Part III


Obviously, the main, overridingly distinctive feature of the courtyard building, both architecturally and functionally is the courtyard. While there are many different unit plan combinations, the basic premise of a large courtyard is a constant, consistent theme of the type.




The post will deal with the while future entries will deal with the court itself, this posting deals with the entry into the courtyard. Often, all that enters the courtyard is a simple sidewalk, perhaps, if one is lucky, with a few plantings around it, along the length, or I should say, depth, of the courtyard. However, in a few lucky instances, there is something rather more, both interesting and elegant (as well as functional).

In the first three examples, which are above, there are simple gates across the front of the courtyard, inset a bit from both the street and main facade. In the first example, the gate is simply an openwork trellis. In the second, it appears that the gate is either new or rebuilt to accommodate a gate with an electric strike. In the third example, the gate replaces a fence which was yet further in, which has been, in turn, replaced with nothing in a recent renovation.




This is a gate or fence, which blocks direct entry into the courtyard. The court entry can be unlocked, or more often than not, has been turned into a keyed entry with buzzers and intercom system from entry to units. Sometimes, it even becomes a pavilion of sorts, decorated in the style of the building, or even becoming the featured decoration of the buildings court. The courtyard is often, especially when wider, lushly landscaped and luxuriantly verdant.

In the first example above, there is an open gate, in an ornate fence, welcoming residents and visitors into the court. In the second and third examples, there is a pavilion blocking entry (and controlling access) into the courtyard. In the second example, it connects to the main block of the building, while having one end (and I am cheating somewhat here, since this isn't a full courtyard building - although more than half - albeit an excellent example of an entry pavilion). In the last example, the gate stretches across the entire narrow mouth of the courtyard with elaborate terra cotta ornamentation and tile roof, in a Spanish Revival- Neo-Colonial amalgamation. There also exist moorish and gothic-medieval variations of this as well.